It’s worth noting that this feature works in a very similar way in Resolve 12.Īlways remember to have your color chart with you on set and be sure to take at least one shot of the chart for each lighting setup or scene that you shoot. The video below from Curtis Judd shows exactly how Color Match works in DaVinci Resolve 11. The end result may not be perfect for your final product, but it’ll serve as a much better starting point to work from as you begin to do your secondary color corrections. Simply choose your color chart and camera settings (such as the X-Rite ColorChecker in the example above), and then turn on the Color Chart in your viewer by navigating the drop down menu on the bottom left of the window.īy lining up DaVinci’s color chart with a real color chart that you’ve captured on your original raw footage, Resolve is easily able to match the colors to automatically fix and offset color inconsistencies. Thankfully, DaVinci Resolve has a built in Color Match tool that allows you to quickly and easily automate the process of balancing the color on your shots.Ĭolor Match allows you to overlay a virtual color chart of your choice (including the industry standard X-Rite Color Checker) on top of your source footage. Inconsistencies in footage are very common, and are often caused by issues having to do with light quality, lens filters, and mismatched cameras, among other things. One of the greatest challenges when coloring footage involves matching shots. Unfortunately, most filmmakers without a background in color correction struggle to grade their footage properly - and in many cases, do more harm than good. More filmmakers and editors than ever before are attempting to color correct their own footage, largely because everyone now has access to industry standard color software, like DaVinci Resolve. If you’ve heard about the waves that DaVinci Resolve is making, this session is your opportunity to see a complete project workflow using this powerful tool.Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in the color suite. Next we’ll jump into Resolve’s renowned color tools to get the best look on a project.Īs they say, audio is half the picture, so we’ll jump into the Fairlight page and look at making essential mix and sound design choices before moving on to the Fusion page to discover how powerful VFX can be when integrated with everything else Resolve has to offer.įinally, we’ll wrap up the session on the Deliver page and explore exporting master files, files for video sharing services and more! We’ll explore bringing footage and timelines into Resolve and getting organized, and using Resolve’s powerful editorial tools. In this session, get a complete view of DaVinci Resolve from initial ingest to final output. This complete approach is why many around the world are standardizing on DaVinci Resolve as their postproduction tool of choice. DaVinci Resolve is quickly becoming a super tool! In one integrated application Resolve offers editorial, color correction, audio, vfx and all the little things to support these main workflows.
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